{"id":360,"date":"2015-03-16T10:37:26","date_gmt":"2015-03-16T09:37:26","guid":{"rendered":"http:\/\/test.radical-openness.org\/2015\/?p=360"},"modified":"2015-03-16T10:39:01","modified_gmt":"2015-03-16T09:39:01","slug":"artist-lilian-beidler-switzerland","status":"publish","type":"post","link":"https:\/\/research.radical-openness.org\/2015\/artist-lilian-beidler-switzerland\/","title":{"rendered":"Artist Lilian Beidler (Switzerland)"},"content":{"rendered":"<p><a href=\"http:\/\/test.radical-openness.org\/2015\/wp-content\/uploads\/sites\/2\/2015\/03\/10.juni14-spiegel.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-395\" src=\"http:\/\/test.radical-openness.org\/2015\/wp-content\/uploads\/sites\/2\/2015\/03\/10.juni14-spiegel-1024x680.jpg\" alt=\"10.juni14-spiegel\" width=\"768\" height=\"510\" srcset=\"https:\/\/research.radical-openness.org\/2015\/wp-content\/uploads\/sites\/2\/2015\/03\/10.juni14-spiegel-1024x680.jpg 1024w, https:\/\/research.radical-openness.org\/2015\/wp-content\/uploads\/sites\/2\/2015\/03\/10.juni14-spiegel-300x199.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><!--more--><\/p>\n<pre>Web: <a href=\"http:\/\/www.loul.ch\/\" target=\"_blank\">http:\/\/www.loul.ch\/<\/a>\r\nLilian Beidler was born on 1 March 1982 in Bern, Switzerland. She completed her \r\nMaster of Arts in Contemporary Arts Practice (CAP) at Bern University of the \r\nArts in 2010. She was invited as an artist in residence to the USA, Finland and \r\nChina. She regularly shows her work and performs at different venues and \r\nfestivals in the USA, Asia and Europe. She is currently studying at Goldsmiths \r\nUniversity of London. She speaks seven languages and is eager to learn more.\r\n\r\nSound being a fundamental component of her work, she ranges from performance, \r\ninstallation, conceptual work and musical composition.\r\nIn her work, she addresses questions like: What is the significance of gestures \r\nin the performance of electronic music? How do new media change the perception \r\nand appearance of the human body? How do humans interact with machines? How do \r\nnew forms of communication influence the way people look at themselves and at \r\nothers? What stories will we tell our grandchildren - and how?\r\n\r\nArtistic activities (selection)\r\n\r\n2015 Artist in Residence &amp; Performance at <a href=\"http:\/\/iiinitiative.org\" target=\"_blank\">http:\/\/iiinitiative.org<\/a>, The Hague NL \r\n| Performance at Offene Heiliggeistkirche Bern, Bern CH | Invited artist at \u201aArt \r\nMeets Radical Openness\u2018 (AMRO) artlab, Linz AU\r\n\r\n2014 Voicestrument at Trispace Gallery, London GB | Site- specific work for \r\nArtStadtBern, Bern CH | \u201eSchool bell - a sound installation\u201c - an \r\nart-in-architecture and art education project at Bowil, CH\r\n\r\n2013 Solo exhibition at Theaterladen Schlachthausthea- ter Bern, CH | \r\nPerformance at SculptureX Symposium 2013 in Columbus, USA | \u201ePanorama\u201c im \r\nZimmermannhaus in Brugg, CH with i\u0302le flottante | Nica Giuliani &amp; Andrea Gsell | \r\nPremiere of my pieces \u201erunning\u201c and \u201evoicetrument\u201c at Pantocra\u0301tor Gallery \r\nShanghai, CN | AOD Action Beijing in collaboration with Noah Schenk (USA) &amp; Wang \r\nZi (China) in Beijing, CN | Founding ART ON DEMAND - Art Home Delivery Service \r\nin collaboration with Pilar Mata Dupont, Vera Hofmann, Brenna Noonan, Sabi- ne \r\nSchru\u0308nder und Vanessa Vaughan in Ha\u0308meenkyro\u0308, FI | Art-in- Architecture project \r\nfor three tram depots in Zu\u0308rich with i\u0302le flot- tante | Nica Giuliani &amp; Andrea \r\nGsell, invited by Amt fu\u0308r Hochbau Zu\u0308rich\r\n\r\n2012 \u201eIch will bis zum Tod.\u201c with i\u0302le flottante | Nica Giuliani &amp; Andrea Gsell \r\nat Trudelhaus in Baden, CH | \u201eephemer\u201c at I-Park, East Haddam, USA | \u201eever \r\nbecome again\u201c with Cyrill Lim, Pen- club Gallery Budapest hosted by the \r\nHungarian Multicultural Center, HU | \u201eSwarm\u201c at C.A.R. Contemporary Art Ruhr in \r\nEssen, DE\r\n\r\n2011 \u201ePfeif auf den Advent!\u201c on <a class=\"moz-txt-link-abbreviated\" href=\"http:\/\/www.loul.ch\">www.loul.ch<\/a>  | \u201etors-tors\u201c \r\nand \u201eSchwarm\u201c at junkunst in Winterthur, CH | \u201ePanorama\u201c with i\u0302le flottante | \r\nNica Giuliani &amp; Andrea Gsell at Ausstellungsraum Klin- gental Basel, CH | \u201eso \r\nfo\u0308hn!\u201c at Taming Technology in Florence, IT | \u201eFisches Nachgesang\u201c with i\u0302le \r\nflottante | Nica Giuliani &amp; An- drea Gsell at Vo\u0308gele Kulturzentrum in Pfa\u0308ffikon, \r\nCH | \u201eZ Basel a mym See\u201c with Education Projekte Basel and the Symphony \r\nOrchestra Basel at Stadtcasino Basel, CH | \u201eVersaturum in motu\u201c at Forum Freies \r\nTheater in Du\u0308sseldorf, DE\r\n\r\n2010 \u201eFisches Nachgesang\u201c with i\u0302le flottante | Nica Giuliani &amp; Andrea Gsell in \r\nthe exhibition Auswahl 10 at Aargauer Kunst- haus in Aarau, CH | \u201eLet\u2018s make up \r\nIndia!\u201c with Eva Maria Ku\u0308pfer at Rote Fabrik Zu\u0308rich, CH | \u201eSINFO\u0308HNIE | pol air - \r\nHairdryers Or- chestra, so fo\u0308hn! &amp; tors-tors\u201c at the gallery talwegeins in Bern, \r\nCH | \u201eZukunft aufs Brot\u201c with Cyrill Lim, \u201epol air - Hairdryers Orches- tera\u201c \r\nand \u201eHardware Hacking\u201c at ARENA ... der jungen Ku\u0308nste in Erlangen, DE | \u201epol air \r\n- Hairdryers Orchestra\u201c at RESONANZEN - Festival fu\u0308r Ho\u0308rkunst in Leipzig, DE | \r\n\u201eso fo\u0308hn!\u201c at Substitut in Berlin, DE | \u201efloconnes\u201c with i\u0302le flottante | Nica \r\nGiuliani &amp; Andrea Gsell at Fondation Beyeler in Basel, CH\r\n\r\n2009 \u201eFisches Nachgesang\u201c with i\u0302le flottante | Nica Giuliani &amp; Andrea Gsell at \r\nvideotank in Zu\u0308rich, CH | \u201eHardware Hacking\u201c at Diskurs09 in Giessen, DE | \u201epol \r\nair - Hairdryers Orchestera\u201c at next_generation 3.0 at ZKM Karlsruhe, DE | \u201epol \r\nair - Hairdryers Orchestera\u201c at OUTNOW! Schwankhalle in Bremen, DE\r\n\r\n2008 \u201eClapping Music from Steve Reich\u201c with Cyrill Lim at act in Geneva, CH | \r\n\u201eartuino\u201c within the symposium \u201eKlang (ohne) Ko\u0308rper at Bern University of the \r\nArts in Bern, CH\r\n<\/pre>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[3],"tags":[],"class_list":["post-360","post","type-post","status-publish","format-standard","hentry","category-behind-the-smart-world"],"_links":{"self":[{"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/posts\/360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/comments?post=360"}],"version-history":[{"count":5,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/posts\/360\/revisions"}],"predecessor-version":[{"id":399,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/posts\/360\/revisions\/399"}],"wp:attachment":[{"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/media?parent=360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/categories?post=360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/research.radical-openness.org\/2015\/wp-json\/wp\/v2\/tags?post=360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}